Tattooed Marbled Statue Displays

Italian Artist Fabio Viale Debuts Contemporary 'Truly' Exhibition

Fabio Viale, an up-in-coming Italian artist, recently debuted his 'Truly' exhibition (curated by Enrico Mattei) which features tattooed marble statues. The fascination with tattooed for Viale came after meeting a Russian tattoo artist. He commented: "I felt really curious, and I asked him to draw a sculpture. I like the kind of tattoos that deal with death and life and use ancient symbology.”

Viale uses a special ink to "tattoo" the statues that is able to penetrate through the stone. “My goal of tattooing marble is to create a double identity sculpture: tattooing old masterpieces means donating a second life and, in a contemporary way, a new collective image,” he explains. “Today, tattoos could be considered as a suit that everybody may wear, old statues too! Changing ancient statues' life builds a temporal bridge towards universal beauty.”

Image Credit: Fabio Viale

Tattooed Marble
The production of tattooed marble statues to create a double identity sculpture opens up opportunities for contemporary art creations.
Innovative Ink
Developing special ink that can penetrate through stone can be used for more than just tattooing art and open up new possibilities for tattoo ink usage.
Revamping Ancient Art
Introducing contemporary ideas into ancient art by giving them new life with tattoos and other innovations can open up a new market for art enthusiasts.

Sectors Adopting This

Art Galleries and Museums
Tattooed marble statues offer an innovative twist to the art world and can help drive foot traffic and sales to museums and galleries.
Tattoo Equipment Manufacturers
The demand for special ink that can penetrate through stone can open up new business opportunities and markets for tattoo equipment manufacturers.
Stone Work and Sculpture Businesses
Tattooed marble statues offer a new opportunity for those in the stone work and sculpture industries, providing a fresh medium to work with and market to interested buyers.
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