The Bartek Nowak and Kacper Onisk portrait series by photographer Monika Kaminska captures the model duo as they pose in army-inspired staples and revealing casuals.
Whether posing shirtless, in sweats or in cadet inspired garments, the model up-and-comers prove their potential as they strut their stuff in this monochromatic portrait series. From oversized scarves and tailored blazers to militant headwear accessories, Bartek and Kacper exude an effortlessly elegant air.
Polish photographer Monika Kaminska captures the guys in studio and embraces a minimalist visual vibe when it comes to lighting, props and the models' wardrobe. The Bartek Nowak and Kacper Onisk portrait series features a slew of raw closeup captures and proves that the talented pair are definitely worth watching in years to come.
Minimalist Cadet Captures
The Bartek Nowak and Kacper Onisk Portrait Series Features Raw Closeups
Trend Themes
1. Minimalist Fashion - The minimalist wardrobe of the models in the portrait series creates an opportunity for the fashion industry to focus on high-quality, timeless pieces.
2. Androgynous Modeling - The gender-neutral style of the models in the portrait series highlights the opportunity for the modeling industry to embrace androgynous models for brands.
3. Monochromatic Aesthetics - The monochromatic visual vibe embraced by the photographer presents an opportunity for industries to experiment with black and white or limited color palettes in their branding and marketing efforts.
Industry Implications
1. Fashion Industry - The minimalist fashion trend in the portrait series creates opportunities for designers to create high-quality clothing with timeless aesthetics.
2. Modeling Industry - The androgynous modeling style in the portrait series creates new opportunities for modeling agencies to represent gender-neutral models.
3. Photography Industry - The use of a monochromatic visual vibe in the portrait series creates new opportunities for photographers to explore the use of limited color palettes in their work.