The collection of useless objects that are being exhibited at the Spazio Libero art gallery during the Artissima art fair in Turin, Italy, begs the question, “What’s the point?”
The oddball exhibition by JVLT is titled ‘UseLess is More’ and illustrates “adesign,” a principle coined by its creators. “If design produces function, the Adesign produces Dis/function, and so now all my work is concentrated to design [an] object near Art where the sense is the real aim of the object,” says JVLT’s Andrea Maragno.
Each of the eight objects in the exhibition is presented without its crucial components. For example, the chair that leads off the gallery has no seat and no back. And the lamp in the third image is missing both a bulb and a shade.
These useless objects celebrate dysfunction and imperfection while simultaneously challenging our thoughts about the traditional purpose of these objects.
What's Driving This Trend
- Dysfunctional Objects
- Opportunity for designers to explore unconventional and non-functional designs in various industries.
- Imperfect Design
- Potential for incorporating imperfections into product design to challenge traditional notions of functionality.
- Conceptual Exhibitions
- Demand for exhibitions that provoke thought and challenge the conventional purpose of objects.
Who This Affects Most
- Product Design
- Disruptive innovation opportunities arise in creating dysfunctional designs that challenge traditional notions of functionality.
- Art
- Artists can explore imperfect design concepts and create exhibitions that provoke thought.
- Furniture Manufacturing
- Opportunity for manufacturers to experiment with unconventional furniture designs that prioritize artistic expression over functionality.
