Videos like 'One Week in Paris' have changed the way skateboarding is being portrayed, which is pretty cool considering how the alternative to the usual thrashing vocals of a punk rock band works well.
In 'One Week in Paris,' John Tanner heads out to one of the most romantic cities in the world for a bit of skateboarding fun. Beautiful shots of the city reveal the Eiffel Tower, Gare du Nord train station and the beautiful architecture that's more than just picturesque. Of course, there's also the kick-flips and grinds that come along with this eloquently filmed video. If this is where skateboarding videos are heading towards in terms of style and cinematography, I'd say this is a great direction to go in building interest.
What Makes This Trend Stand Out
- Changing Skateboarding Portrayal
- The rise of videos like 'One Week in Paris' is changing the way skateboarding is being portrayed, creating opportunities for more elegant and visually appealing content.
- Alternative Skateboarding Soundtracks
- Skateboarding videos that use alternative soundtracks instead of punk rock create opportunities for new and unique collaborations with musicians and artists.
- Destination Skateboarding
- Skateboarding videos showcasing iconic destinations like Paris open up opportunities for travel and tourism brands to collaborate with skateboarders and promote skateboarding as a form of adventure.
Sectors Adopting This
- Film and Entertainment
- The trend of more visually appealing and cinematic skateboarding videos creates opportunities for filmmakers and content creators to produce high-quality skateboarding content.
- Music and Art
- The shift towards alternative soundtracks in skateboarding videos presents opportunities for musicians and artists to collaborate and create unique audiovisual experiences.
- Travel and Tourism
- Destination skateboarding videos like 'One Week in Paris' offer opportunities for travel and tourism brands to market their destinations as skateboarding-friendly and attract skateboarders as a niche audience.
