Global design studio SOM designs a specially captivating terminal at the Kempegowda International Airport. It is located in Bangalore, India, and is inspired by the city's rich heritage and beautiful landscapes. It is described by the studio as a "terminal in a garden" as it is filled with plants made in conjunction with Abu Jani and Sandeep Khosla as well as Grant Associates.
The goal was to create a tranquil space in what is usually a bustling and busy international airport. Design principal at the firm, Peter Lefkovits tells Dezeen, "Terminal 2 (T2) inverts every expectation of how an airport can look and feel. With a focus on rich, sensory experiences rooted in nature, we created a calming oasis within the bustle of an international airport."
Image Credit: Studio Recall
Key Themes Behind This Trend
- Biophilic Airport Design
- Designing airport terminals with lush gardens and natural elements to create a calming and soothing environment amidst the hustle and bustle of travel.
- Heritage-inspired Airport Architecture
- Taking inspiration from a city's rich heritage and incorporating it into the design of airport terminals to create visually captivating spaces.
- Sustainable Airport Infrastructure
- Integrating sustainable practices and materials into the construction and operation of airport terminals to reduce environmental impact and promote eco-conscious travel.
Where This Applies
- Airport Design and Construction
- Designing and constructing airport terminals that prioritize biophilic elements and incorporate elements of the city's heritage to create unique and engaging spaces for travelers.
- Landscape Architecture
- Collaborating with airport design teams to create garden-like spaces within terminals, focusing on the integration of plants and natural elements to enhance the overall airport experience.
- Sustainable Architecture and Design
- Providing expertise in sustainable design strategies and materials for airport terminal projects, aiming to reduce environmental impact and optimize energy efficiency.
