Concrete Slotted-In House Designs

Carmody Groarke's Lambeth Design Boasts a 'House Within a House'

London-based studio Carmody Groarke has really outdone itself with this 'house within a house' project. The architecture office is tasked to design a space that is "slotted into the brick shell of a Victorian warehouse in south London." Needless to say, the aesthetic is quite meta. The building reserves a raw and industrial aesthetic by way of materials — predominantly concrete.

The 'house within a house' project proved to be quite difficult to execute. For one, the original structure was not particularly "designed to carry this additional weight." Carmody Groarke focused on minimal obstruction and, as a result, the design of Lambeth is anything but busy. The new buildings were "wrapped in brickwork" and "finished internally with concrete" to achieve this effect.

Photo Credits: Gilbert McCarragher

House Within a House
Creating architectural designs that incorporate smaller structures within existing buildings, opening up possibilities for unique living spaces and functional innovation.
Raw and Industrial Aesthetic
Designing spaces that embrace the use of concrete and other raw materials, allowing for a minimalist and industrial look and feel.
Minimal Obstruction Design
Developing architectural designs that prioritize open and unobstructed spaces, encouraging seamless integration between different structural elements.

Industries Being Reshaped

Architecture
Exploring creative ways to integrate new structures within existing buildings, presenting opportunities for architectural firms to offer innovative design solutions.
Construction
Utilizing raw materials like concrete to achieve a raw and industrial aesthetic, providing construction companies with new opportunities to showcase their expertise in unique building techniques.
Interior Design
Creating minimalist and open living spaces that complement the raw and industrial aesthetic, inspiring interior designers to develop innovative and functional decor concepts.
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