Greek artist Andreas Angelidakis is exploring notions of histories and the limitation of the archaeological canon with his Center for the Critical Appreciation of Antiquity exhibition. The show is on display at Espace Niemeyer in Paris and it marks the first solo exhibition for the Greek artist in this city.
With digitally printed temple ruins made out of foam, Andreas Angelidakis probes the "other" histories that are "erased if they don't fit the archeological canon." More specifically, the artwork draws on the artist's "research into the history of the Greek Temple of Zeus in Athens." The works are located in Espace Niemeyer's dome-shaped auditorium and this adds another dimension to the experience of the exhibition.
The exhibition was commissioned by Audemars Piguet, a luxury watch brand.
Image Credit: Julien Gremaud
What Makes This Trend Stand Out
- Archaeological Canon Exploration
- Artists and designers are exploring notions of history and limitations of the archaeology canon through multidisciplinary exhibitions.
- Digitally Printed Art
- Digitally printed artworks are becoming a popular method for exploring and depicting historical ruins and figures.
- Dome-shaped Art Displays
- Art exhibitions that are displayed in dome-shaped auditoriums present a new and unique dimension to the art viewing experience.
Sectors Adopting This
- Art and Design
- Art and design industries have the opportunity to create multidisciplinary exhibitions exploring their connection with historical figures and ruins, and limitiation of the archaeological canon.
- Digital Printing Technology
- Digital printing technology industries have the opportunity to further develop and innovate on methods of printing and displaying historical ruins and figures in unique ways.
- Luxury Watch Making
- Luxury watch brands have the opportunity to commission unique artworks and exhibitions from artists and designers that demonstrate their brand's appreciation for both art and history.
