If you ever wanted to know what a fabulous future would look like, the US Vogue September 2013 issue demonstrated what we can expect in a few decades.
Set in a dystopian style background, the models were placed around different buildings and scenery. The clothes were a mixture of both rigid and flowing materials that showcased some of best fabrics to wear this fall. The colors were very bright, and most of the outfits were done in a color-blocked styled.
The styling is what brought the shoot together. The highly anticipated Google Glasses were positioned on the model’s faces, and their hair was sleek and geometric. This US Vogue September 2103 editorial gave viewers a glimpse into what the future may look like, and it looks pretty fabulous.
What Makes This Trend Stand Out
- Dystopian Fashion
- Fashion industry can explore the trend of incorporating rigid and flowing materials, bright colors, and color-blocking in their designs to create a futuristic dystopian aesthetic.
- Technology Fashion Integration
- Fashion industry has an opportunity to collaborate with technology companies to incorporate wearable tech, like the Google Glasses, into their designs and create innovative fashion-forward products.
- Futuristic Editorials
- Media and publishing industry can explore the trend of creating futuristic editorials to captivate audiences and provide a vision of what the future may look like through creative storytelling.
Sectors Adopting This
- Fashion Industry
- Fashion industry can leverage the trend of incorporating dystopian elements and technology integration to create disruptive and trend-setting designs.
- Technology Industry
- Technology companies have an opportunity to collaborate with the fashion industry to develop and promote wearable tech products like Google Glasses for fashion-forward consumers.
- Media and Publishing Industry
- Media and publishing industry can capitalize on the trend of futuristic editorials to engage readers and provide unique storytelling experiences that envision future possibilities.
