Tamara Hansen captures 'Shoes, Shoes, Shoes,' an expressive image series that spotlights the season's hottest footwear styles. The shoes include metallic heels, bow-accented peep toe styles and even sky-high sandals that are a fresh take on disco accessories from the 70s.
Styling for this footwear editorial is courtesy of Katrin Kohlstedt who handpicks its attention-grabbing styles. Makeup for the series is courtesy of Agnes Hecking who is responsible for model Johanna's expressive body paint looks.
This shoe-celebrating portrait series blends feminine footwear styles with body shimmer and body paint that is applied to resemble pieces of clothing. In addition, Tamara Hansen's editorial also spotlights chromatic background vignettes that range from neon green to a fire hydrant red that is juxtaposed with metallic gold tones.
What's Driving This Trend
- Chromatic Fashion Photography
- Fashion brands can explore creating their own visually vivid campaigns with a focus on bold backgrounds and attention-grabbing details such as shimmer and paint effects.
- Expressive Footwear Editorials
- Brands can collaborate with creatives to showcase their latest footwear styles in visually expressive and attention-grabbing ways that spark interest among target audiences.
- Combining Fashion and Art
- There is potential for fashion and art to merge in unexpected ways that produce inspiring results that grab attention and foster strong brand-customer connections.
Who This Affects Most
- Fashion Photography
- Photographers and fashion brands can harness the power of chromatic visual elements and expressive model styling to create compelling imagery that showcases their latest fashion styles.
- Footwear Design
- Footwear designers can experiment with bold colors, shimmer, and paint effects to create attention-grabbing styles that stand out in a crowded market.
- Artistic Makeup
- Makeup artists can explore new ways to apply makeup to models to create body paint looks that resemble clothing and inspire creativity in fashion editorials.
