Retouched Colonial Paintings

Artist Joan Ross Adds Neon and Graffiti to Existing Artworks

The work of Joan Ross is piggybacked on the work of others, which is something she has been fascinated with since she was a child. She essentially retouches colonial paintings with modern streak of neon and even the occasional act of graffiti in a way to express such themes as imperialism, consumerism, throwaway culture, global warming, tagging, naming, claiming and more.

Predominantly using the paintings of Joseph Lycett, who was outed as an impostor who forged his work, Joan Ross writes, "In a sense I am continuing his tradition of taking something and forging something new out of it." Joan Ross transforms his calm and subdued landscapes into loud scenes. She states, "The mentality behind colonialism can manifest itself in many ways and the ongoing creep, nay, invasion of high vis yellow and fluoro orange are a modern-day example."

Retouched Colonial Paintings
Disruptive innovation opportunity: Exploring the intersection between traditional and contemporary art forms by incorporating modern elements into historical artworks.
Neon and Graffiti Art
Disruptive innovation opportunity: Pushing the boundaries of traditional art by infusing graffiti and neon elements into classic paintings, creating a juxtaposition of old and new aesthetics.
Challenging Colonial Narratives
Disruptive innovation opportunity: Recontextualizing colonial artworks to express themes of imperialism, consumerism, and environmental issues, sparking critical conversations and reevaluations of historical narratives.

Where This Applies

Art and Culture
Disruptive innovation opportunity: Exploring new artistic techniques and expressions that challenge conventional notions and expand the boundaries of artistic creation.
Art Restoration
Disruptive innovation opportunity: Introducing innovative methods of art restoration and conservation that incorporate contemporary elements, preserving historical artworks while revitalizing them for a modern audience.
Social Commentary and Activism
Disruptive innovation opportunity: Utilizing art as a powerful platform for social critique and activism, using historical artworks as a canvas to address contemporary issues and challenge existing power structures.
SCORE
0.4 out of 10
GENDER
50% Men50% Women
MARKETTop markets: North America, Europe
GENERATION
  • Gen Alpha
  • Gen Z (primary audience)
  • Millennial (primary audience)
  • Gen X (primary audience)
POPULARITY
Popularity 3%
Activity 2%
Freshness 8%

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