The crop top has made quite the impact on the fashion industry these last few months and so it is only natural that the Rihanna MET Gala dress embraces it. Yet the provocative pop star has taken it to the next level by not only raising the crop to reveal much more of her torso (and a part of her winged tattoo just under her breasts), but also incorporating a backless feature as well.
Designed by Stella McCartney, the Rihanna MET Gala dress shows off her curves in a glamorously sensual way. The all-white design has full sleeves and sharp shoulder pads that brings even more attention to her caramel skin. The Rihanna MET Gala dress was finished with a sheer, bejeweled turtleneck, making jewelry unnecessary to complete the chic look.
Why This Trend Is Growing
- Backless Crop Top Trend
- There is an opportunity for fashion companies to explore designs that incorporate backless features in crop tops, following the popularity of the Rihanna MET Gala dress.
- Sensual Glamor Trend
- The Rihanna MET Gala dress has showcased a new trend for glamorously sensual fashion designs, which designers can explore to create unique and captivating clothing items.
- Jewelry-free Dress Trend
- Fashion designers can take inspiration from the Rihanna MET Gala dress and create designs that are finished with a bejeweled turtleneck instead of requiring additional jewelry accessories.
Industries Being Reshaped
- Fashion Industry
- The fashion industry can take advantage of the Backless Crop Top and Sensual Glamor trends to create innovative clothing designs that combine unique styles and cutting-edge designs.
- Jewelry Industry
- The jewelry industry can explore innovative ways to incorporate jeweled necklines into clothing and gowns as a twist to traditional jewelry accessories following the Jewelry-free Dress trend.
- Beauty Industry
- The Beauty industry can capitalize on the Sensual Glamor trend by exploring new beauty looks that complement the fashion designs and bring out the natural beauty in individuals while remaining chic and trendy.
