The Joseph Fall 2013 ready-to-wear collection is a transcendence from editorial looks to well-executed basics. Lead designer Louise Trotte redefined the label and invested time and energy into manifesting a collection consisting of luxury staples that are easily interchangeable.
Joseph is a label that is reinventing itself and its direction. The point of view of the 2013 ready-to-wear collection is slouchy, sculptural and relies on volume for drama. Stand-outs from the intense series include luxurious over-sized graphic sweaters, lambskin jackets, tiger-stripe suede pants, slim-fit striped trousers and voluminous coats. One absolute must-purchase from the collection is the black and white chevron-patterned sheepskin coat.
The Joseph Fall 2013 ready-to-wear collection is a triumph and marks a new chapter in the label's fashion direction.
What's Driving This Trend
- Transcendent Basics
- The Joseph Fall 2013 ready-to-wear collection redefines basics, providing an opportunity for brands to create luxury staples that are easily interchangeable.
- Sculptural Volumes
- The collection relies on slouchy, sculptural designs that utilize volume for dramatic effect, inspiring designers to experiment with shape and proportion.
- Graphic Patterns
- The use of oversized graphic sweaters and chevron-patterned coats in the collection presents an opportunity for brands to incorporate bold graphic patterns into their designs.
Who This Affects Most
- Fashion
- The Joseph Fall 2013 collection's focus on reinvention and sculptural volumes opens up opportunities for designers and brands in the fashion industry to explore new directions and styles.
- Luxury
- The collection's emphasis on luxury staples and high-quality materials like lambskin and suede creates opportunities for luxury brands to create high-end, standout pieces.
- Textile
- The use of graphic patterns and different fabrics, such as sheepskin, presents opportunities for textile manufacturers to create innovative materials for fashion designers to use in their collections.
