Quentin Tarantino Uses Bloody Imagery in “Inglourious Basterds”
Vincent Salera — March 1, 2009 — Pop Culture
WWII films are always in fashion in Hollywood, from “Schindler’s List” and “Saving Private Ryan” to the Spike Lee-directed “Miracle at St. Anna.” “Pulp Fiction” and “Kill Bill” creator Quentin Tarantino’s latest film “Inglourious Basterds” follows along this theme.
In the movie, a group of morally-offensive American soldiers are shipped off to a military prison for various crimes and become commandos with the mission to assassinate Nazis. You can count on lots of cartoon-styled violence. In true Tarantino style, a series of carnal film posters are ready to catch your attention for its August 21, 2009 release.
In the movie, a group of morally-offensive American soldiers are shipped off to a military prison for various crimes and become commandos with the mission to assassinate Nazis. You can count on lots of cartoon-styled violence. In true Tarantino style, a series of carnal film posters are ready to catch your attention for its August 21, 2009 release.
Trend Themes
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Graphic Film Advertising — As graphic film advertising becomes increasingly popular, there is an opportunity for companies to create more polarizing advertisements.
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Dark Historical Films — With consumer interest in dark, historical films like 'Inglourious Basterds,' there's an opportunity to create more historically-based entertainment.
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Cartoon-style Violence — Cartoon-style violence continues to be a trend in entertainment, offering opportunity for entertainment companies to push the boundaries of viewer discretion.
Industry Implications
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Advertising — Graphic film advertising paves the way for advertisers to incorporate edgier content into their ads.
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Film Industry — As dark, historical films gain popularity, the film industry has an opportunity to produce more historically-based content for a captivated audience.
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Entertainment Industry — Cartoon-style violence continues to be a trend in entertainment, offering opportunity for artists to push the boundaries of viewer discretion.
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