Makeup Artist-Crafted Sneakers

ISAMAYA and Nike Just Reimagined the Air Max Dn Silhouette

Nike has teamed up with ISAMAYA, the beauty brand crated by internationally renowned makeup artist Isamaya Ffrench, to launch a new iteration of the Air Max Dn silhouette.

While this might seem like an unexpected collaboration, Ffrench sees a lot of overlap between the worlds of beauty and sport. As she explains, "[beauty] speaks to everybody because it’s more affordable than fashion, for example, and it has the same sense of community that sport does." With this shared ethos in mind, the makeup artist and shoe brand joined forces to reimagine Nike's Air Max Dn silhouette. The new version is color palette of ISAMAYA signature products, and comes in two neutral colorways: 'Nude' and 'Deep Brown.' Both of the new shoes can be purchased as of December 20th, making them a great last-minute gift idea.

Image Credit: Nike, ISAMAYA, <a rel='nofollow' href='https://hypebae.com/2024/11/nike-isamaya-ffrench-air-max-dn-collaboration-interview'>hypebae</a>

Beauty-fashion Collaborations
The convergence of beauty brands with fashion labels is fostering innovative products that merge cosmetic artistry with wearable pieces.
Makeup-inspired Footwear
Shoes that incorporate color palettes and aesthetics typically associated with makeup are expanding the boundaries of traditional sneaker design.
Community-driven Product Innovation
Brands leveraging shared community values in different industries are creating unique offerings that resonate across diverse customer bases.

Industries Being Reshaped

Athletic Apparel
Collaborations between sportswear and beauty brands are introducing new design perspectives and product functionality within athletic footwear.
Cosmetics
Beauty brands are extending their influence into fashion sectors, allowing for cross-industry creativity and marketing opportunities.
Gift Retail
The trend of limited-edition collaborations offers unique, desirable products that appeal to consumers seeking distinctive gift options.
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