The Fanny Francois View of the Times Winter 2011 editorial features military-inspired looks with a vintage aesthetic. The stunning photo series, lensed by photographer Esperanza Moya, is the epitome of femininity and high style.
A luxe wardrobe styled by Bernat Sobrebals showcases structured silhouettes, bold statement furs, sparkling sequins and lovely lace frocks. Fanny's blonde, tousled hair and bold crimson lips keep in tune with her vintage vixen role.
The model wears monochromatic looks consisting of black and navy along with a punch of deep red. She is accessorized with heavy gold jewels, thigh highs and fierce army-inspired headwear. Fanny sports designer selects from Louis Vuitton's Fall 2011 collection. The Fanny Francois View of the TImes Winter 2011 editorial is a stunning showcase of classic tailoring and vintage-inspired sensuality.
Image Credit: Esperanza Moya
What's Driving This Trend
- Military-inspired Fashion
- The vintage aesthetic of the Fanny Francois View of the Times editorial showcases an opportunity for brands to disrupt the fashion industry with military-inspired looks.
- Vintage Vixen Style
- The Fanny Francois View of the Times editorial presents a trend to revive vintage vixen style for modern-day fashion enthusiasts.
- Bold Statement Accessories
- The heavy gold jewels and fierce army-inspired headwear worn by Fanny Francois in the editorial highlight an opportunity for brands to disrupt the accessories market with bold statement pieces.
Who This Affects Most
- Fashion
- The Fanny Francois View of the Times editorial provides inspiration for the fashion industry to disrupt and innovate with military-inspired looks and vintage vixen style.
- Luxury Fashion
- Luxury fashion brands could capitalize on the trend towards bold statement accessories by offering unique and extravagant pieces.
- Photography
- The stunning photo series shot by Esperanza Moya showcases the potential for modern photographers to adapt vintage aesthetics in their work and disrupt the traditional photography market.
