American-based architect Michael Jantzen visually represents an ambiguous relationship between women and machines in a series of small-scale sculptures. Dubbed 'Woman Machine Interface,' the artistic project is born out of a human fascination with technological advancements.
The four sculptural models exhibits women and machines that interact with each other. As the functional properties of the futuristic apparatuses is relatively enigmatic, the artistic project strikes a pondering thought process in the audience, while they try to pinpoint the nature of the human-technology interaction. For example, one might consider that the 'Dream Machine' is extracting the user's subconscious thoughts, while the 'Self-Awareness Transfer Station' is forcing its subject to literally come face-to-face with themselves and later transferring gathered information to a large data base for experimental purposes.
Women-Centric Tech Sculptures
Michael Jantzen Explores a Relationship Between Women and Machines
Trend Themes
1. Human-technology Interaction - Michael Jantzen's Woman Machine Interface explores the relationship between women and machines through small-scale sculptures.
2. Futuristic Apparatuses - Jantzen's sculptures feature functional properties that are enigmatic, creating a pondering thought process.
3. Data Collection and Experimentation - 'Self-Awareness Transfer Station' transfers gathered information to a large database for experimental purposes.
Industry Implications
1. Art and Design - Michael Jantzen's sculptures combine art and architectural design to explore the relationship between women and machines.
2. Technology - Jantzen's sculptures use futuristic apparatuses to visually represent human-technology interaction.
3. Data Science - The 'Self-Awareness Transfer Station' sculpture highlights the potential for data collection and experimentation in the field of data science.