Blacked-Out Bamboo Chairs

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WILDSIDE Bamboo Chair Reimagines a 1937 Furniture Design

WILDSIDE Bamboo Chair is the first collaboration between WILDSIDE Yohji Yamamoto and Mitsukoshi Seisakusho, reinterpreting Umonji Kidokoro's 1937 design with a deep black lacquer-like finish. Handcrafted entirely from bamboo, the made-to-order chair preserves the original curved frame and woven construction while introducing a monochromatic treatment inspired by traditional Japanese lacquerware. A matte laser-engraved WILDSIDE logo is integrated into the backrest, remaining understated against the glossy black surface.

Each chair is built by a single Mitsukoshi Seisakusho craftsperson, reflecting the atelier's workshop-based production process. Originally designed in 1937 by Umonji Kidokoro, the Bamboo Chair remains one of the studio's historic furniture designs and continues to showcase traditional bamboo craftsmanship through its sculptural form. The collaboration is available exclusively through the WILDSIDE online store, with each made-to-order chair requiring approximately one year and six months for production.

Trend Themes

  1. Monochrome Heritage Furniture — Historic furniture silhouettes are gaining new relevance through stark single-color finishes that merge archival design value with contemporary collectible appeal.
  2. Slow-crafted Collaborations — Luxury partnerships centered on extended production timelines and individual artisanship create scarcity-driven markets for objects with cultural provenance.
  3. Lacquer-inspired Minimalism — Traditional surface treatments translated into modern matte-and-gloss aesthetics open space for premium home goods that feel both restrained and ceremonial.

Industry Implications

  1. Luxury Furniture — Made-to-order seating with artisanal construction and limited availability signals growth potential for high-end interiors rooted in craftsmanship and exclusivity.
  2. Japanese Craft — Bamboo weaving, lacquer references, and workshop-based production offer differentiated pathways for preserving regional techniques within global design markets.
  3. Collectible Design — Reissued heritage pieces with subtle brand integration and long lead times strengthen demand for functional objects positioned as investment-grade design artifacts.

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