The second 'The Hills' video from Toronto R&B star The Weeknd features phoenixes, fiery constellations and virtual reality.
This new 'The Hills' video accompanies a remix of the song featuring rapper Eminem. Directed by NABIL, the music video shows The Weeknd exiting a club on a dark night. It follows him as he walks past a limousine, brooding and singing. Dragging the music video's view, however, reveals more intriguing details. The sky above The Weeknd fills with flaming meteors as the viewer explores the 360-degree surroundings of the innovative music video.
'The Hills' was shot using a GoPro camera, transforming it from a standard shoot to the creation of a virtual reality experience. The immersive imagery of the Hills video suits the dark, enrapturing intensity of The Weeknd's music.
Virtual Reality Music Videos
This 'The Hills' Video Has Flaming Constellations in 360-Degree View
Trend Themes
1. Virtual Reality Music Videos - Virtual reality technology is transforming the music industry, providing artists with innovative ways to create immersive and interactive experiences for their fans.
2. 360-degree Music Videos - 360-degree music videos are revolutionizing the way fans engage with music, allowing them to explore the visuals and storyline from different angles.
3. Gopro Revolution - The use of GoPro cameras in music video production is opening up new possibilities for creating virtual reality experiences and captivating visuals.
Industry Implications
1. Music - Virtual reality music videos present a disruptive innovation opportunity for artists, offering a unique way to connect with their audience and enhance the music listening experience.
2. Entertainment - The entertainment industry can leverage 360-degree music videos to create immersive experiences for fans, leading to increased engagement and new revenue streams.
3. Technology - The integration of virtual reality technology, such as GoPro cameras, in music videos opens up opportunities for technological advancements and further innovation in the field.