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Scott Marr Etches Flowery Patterns Into Old Records Using Fire

Scott Marr is a renowned pyrography artist, but unlike his contemporaries that use only wood and paper to produce their burnt illustrations, Marr has moved onto other materials. In his series entitled ‘78’s,’ Marr has taken his collection of scratched vinyl records and used them as canvases for his beautiful and intricate floral-pattern creations. Just because the records can no longer please listeners’ ears, doesn’t mean they can’t still please people’s eyes.

Aside from these marvellous vinyl creations, Scott Marr also renders pyrographic images with concepts other pyrography artists have yet to explore. Burning original images of superheroes, moths, robots and beetles onto paper, the self-taught artist uses his custom tools as easily as digital artists using pen tablets. He also boasts that the pigments in his illustrations all come from raw organic materials, infusing DNA into his work.
Trend Themes
1. Pyrography Art - There is an opportunity for disruptive innovation in the art world by exploring new materials and techniques for pyrography.
2. Vinyl Record Art - The transformation of old vinyl records into visually pleasing art opens up possibilities for creative recycling and upcycling ventures.
3. Organic Pigments - The use of raw organic materials in illustrations presents an opportunity for disruptive innovation in the pigment industry, creating sustainable and eco-friendly alternatives.
Industry Implications
1. Art Supplies - The pyrography art trend creates a demand for innovative tools and materials, leading to potential growth in the art supplies industry.
2. Recycling and Upcycling - The vinyl record art trend sparks opportunities for businesses in the recycling and upcycling industry to repurpose old records into unique and marketable products.
3. Natural Pigments - The use of organic pigments in illustrations drives the need for advancements in the natural pigment industry, creating new opportunities for sustainable coloring materials.

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