Art is everything in this insanely surreal Love Magazine #11 SS 2014 fashion shoot.
Fashion photographer Juergen Teller snaps up this bizarre style story. The pictorial take place inside a modern art museum. Giant egg halves, partially destroyed sculptures of reclining people and most visibly, 3D rain drops falling from the ceiling. The rain isn't really falling, it's actually being hung from thin clear wires. The rain comes in pink, orange, yellow and blue and descends upon model Lily McMenamy.
McMenamy poses while scantily clad with the freaking art. The positions she is able to put her body in indicate that she may actually be a trained as a dancer. Most of the focus in this Love Magazine #11 SS 2014 style spread is about the art, however the model is dressed in some interesting garments. Most of what McMenamy is wearing looks like underwear.
Surreal 3D Rain Editorials
Juergen Teller Captures Lily McMenamy for Love Magazine #11 SS 2014
Trend Themes
1. Surreal Fashion Editorials - There is an opportunity to revolutionize the way fashion editorials are presented by incorporating surreal art installations and 3D technology.
2. 3D Art Installations - There is potential for innovation in creating 3D art installations that appear to interact with models and create a surreal, dream-like atmosphere.
3. Dancer-model Hybrids - There is a potential opportunity to showcase models who have a background in dance and can create artful poses and movements for fashion shoots and editorials.
Industry Implications
1. Fashion - The fashion industry can utilize surreal art installations and 3D technology in fashion shows and editorials to create memorable and immersive experiences for consumers.
2. Art - There is potential for collaboration between the fashion and art industries to create interactive and thought-provoking installations that merge fashion and art in unique ways.
3. Photography - Photographers can utilize the concept of dancer-model hybrids to create unique and dynamic photographs that capture movement and artful poses.