American artist and designer Daniel Arsham launched his dystopian art exhibition on September 8th at Galerie Perrotin in New York City. The presented work is future-facing in the sense that it envisions life in the next millennium. Deconstructed, raw and decaying, the dystopian art reimagines pop culture as relics. From the sculptural flying car from Back to the Future to a "bagged and bound Mickey Mouse" figure, the 3018 exhibit places contemporary icons in an eroded state that has "fallen into aestheticised obsolescence."
The dystopian art definitely raises questions about the value of materiality and its extension into popular culture. Moreover, this commentary on futurism affirms the solid transition of entertainment-focused objects into the world of art. The 3018 exhibition features both known and never-before-seen works by Arsham.
Pop Culture-Referencing Dystopian Art
Daniel Arsham's '3018' Exhibition is Raw and Future-Facing
Trend Themes
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2. Future-facing - Disruptive innovation opportunity: Envision life in the next millennium by creating artwork that challenges the traditional notions of materiality and popular culture.
3. Futurism Commentary - Disruptive innovation opportunity: Use art to comment on the transition of entertainment-focused objects into the realm of fine art, questioning their value and exploring new artistic possibilities.
Industry Implications
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