These brazen Bette Franke photoshoots provide a look at the many successes of the Dutch fashion model. Franke was discovered at the young age of 14 in the presence of her mother, and was soon after signed to Amsterdam's Wilma Wakker modeling agency.
Cool fur-clad captures and massive headpiece editorials have come to set Franke's work apart from the rest. Her appearances within numerous runway productions have been similarly successful, especially within the ranks of Zac Posen, Calvin Klein, Balenciaga and Hermes. The marketing world has also embraced her light features and docile stance via her most recent advertisements with Dsquared2, Michael Kors and Dior, not to mention her appearances within the New York Times Style Magazine and Harper's Bazaar Australia.
12 Brazen Bette Franke Photoshots
From Cool Fur-Clad Captures to Massive Headpiece Editorials
Trend Themes
1. Fashion Modeling Success - The success of Dutch fashion model Bette Franke highlights the potential for younger models to rise in the industry.
2. Distinctive Editorial Styles - Franke's cool fur-clad and massive headpiece editorials provide opportunities for photographers to explore more creative and unique visual concepts in fashion photography.
3. Marketing with Relatable Personalities - Brands can benefit from partnering with models like Franke who have light features and a docile stance to connect with audiences through relatable advertisements.
Industry Implications
1. Fashion Modeling - The success of younger models like Bette Franke emphasizes the continuing demand and growth potential in the fashion modeling industry.
2. Fashion Photography - Franke's distinctive editorial styles highlight the potential for photographers to differentiate themselves and create a niche within the competitive fashion photography industry.
3. Fashion Advertising - Franke's success in brand advertisements, such as with Dsquared2, Michael Kors, and Dior, underscores the effectiveness of using relatable personalities for marketing campaigns in the fashion industry.