Showstopping and insightful, 'Elbphilarmonie' by Herzog & de Meuron at the Venice Biennale 2012 provides a look at an unfinished concert hall.
The suspended installation is by a renowned architectural firm established in Basel, Switzerland. Their celebrated work is now part of the 2012 major architectural exhibition, the Venice Biennale. For its exhibit Herzog & de Meuron chose to install suspended forms carved to depict the unfinished Elbphilharmonie concert hall. These are made from large blocks of foam.
Spectators can view each model that creates a sort of cocoon effect around the spectator to feel the full effect of the unfinished concert hall. The installations are meant to be an ode to an architectural gem that has not seen its glory due to contract, social and political difficulties.
Sneak-Peek Architectural Installations
'Elbphilarmonie' by Herzog & de Meuron Provides Previews
Trend Themes
1. Architectural Installations - The use of large-scale, suspended architectural installations provides unique and immersive experiences for spectators.
2. Unfinished Concert Halls - Exploring the representation of unfinished concert halls in art installations sparks conversations about the challenges faced in architectural projects.
3. Venice Biennale - The Venice Biennale serves as a platform for architects to showcase their works-in-progress and engage with a global audience.
Industry Implications
1. Architecture - The architecture industry can explore the use of large foam blocks to create suspended installations and provide innovative experiences for clients and viewers.
2. Art - Artists can depict unfinished concert halls in their installations as a means of expressing societal, political, and contractual challenges in the construction industry.
3. Exhibition - Exhibition organizers can curate platforms like the Venice Biennale to showcase architectural works-in-progress and foster discussions around architectural innovation and challenges.